The harsh robotic distortion produced on Maria’s voice by Mattir makes the song the perfect combination of wacky electronic dance sonic character but at the same time, still has that pop character shining out of the depths of the water. Yet this is all coming from the guy who loves Ween’s Pure Guava album. It’s equally a very playful track too. And then you have All Fall Down which has that sonic character of a haunting night at a graveyard which is kind of why it was originally on Hailloween album. All Fall Down also has Water Gun Water Gun Sky Attack featured on it, and his Texan voice is showcased on this scary pop track. Oddly it still seems to have a feel of London Bridges falling down in phrasing and pieces of the lyrics but has it’s own uniqueness that really can’t be described perfectly because it’s just a hair too cheerful, not to factor that I may have changed it’s character a bit in mastering of it to be louder.
Factoring how bad the usual selection for the Grammys across the nominees are due to it being a $100 buy-in process which means only radio tunes ever make it in. Beck’s album Morning Phase is what I would argue to be Beck’s worst album, but that only showcases how bad the rest of the picks from this last year were out of the pop-top 5. If you want to properly enjoy Beck, find a copy of Sea Change in surround as youtube obviously does not do it justice, mostly because this is still by far the best produced surround album and Beck’s best album. With Morning Phase you can pick out the parts where his aim was to sound like the D side of Sea Change but it doesn’t really do any justice.
Looking at the record of the year going to Sam Smith, it’s sort of the same story with Beck, out of the alternatives, it was the best choice, but by far Smith is better featured in other music and not his own.
Best Dance Recording and Best Dance Album categories were also a hilarious joke filled of the most generic music in the past 10 years out of the EDM side, and Aphex Twin’s worst album yet Syro.
Best R&B album probably should have gone to Black Radio 2 by Robert Glasper Experiment especially factoring Black Radio (1) was overall solid album, but Ill leave this to other listeners to argue about but here’s the winner of this year (quite boring and generic) vs Black Radio 2.
Best Improvised Jazz Solo category is clearly a joke if they are picking selections that were not live in the first place, though I do enjoy Chick Corea, Brad Mehldau and Joe Lovano, none of these were by far their best improv solos or even the best of jazz in the last year.
Bersarin Quartett by Bersarin Quartett
If you want to find one single album I have been hooked onto for the past month the perfectly delicate orchestrated ambiance works of the Bersarin Quartett. Often it is presented in simplicity, but with all the extra sound effects, it makes it feel like an album from mars took over a classical album. The second song “Geschichten von Interesse” is very addicting factoring it seems reminiscent of the Disintegration Loops by William Basinski.
But it has far more sense of development and change and yet even with the minimalism it comes off as being full sounding and filling. This album probably isn’t for everyone, but it can also be the perfect music to work to and not be too distracted, or fall asleep.